2212 безплатни аудиофайлове за "D Sharp Chords"

Audio files of spanish guitar chords

Audio files of spanish guitar chords

John Stepan Zamecnik's 1913 composition Mysterioso - Burglar Music 1, which appeared in Sam Fox Moving Picture Music volume 1.

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Most dissonant triad in Bohlen-Pierce tuning: 0,1,2 (semitones).

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Dominant seventh in Beethoven's Piano Sonata in B-flat major, Op. 22.

Just perfect fifth on D = A+. 3:2 = 701.96 cents.

Sonata f minor, Domenico Scarlatti, Kirkpatrick 466, Kirnberger temperament, digital harpsichord (Yamaha CLP-470) Sonate f-Moll, Domenico Scarlatti, Kirkpatrick 466, Kirnberger-Stimmung, digitales Cembalo (Yamaha CLP-470)

D. Scarlatti, Sonata K159 C, Veronica van der Knaap, Christchurch, New Zealand

The chord of A major played on an acoustic guitar. El acorde de A major toca en una guitarra acoustica.

Shuffle pattern with staggered thirds played on piano.

Triad in Bohlen-Pierce tuning (0 7 10). Title refers to number of semitones (unison=0).

One of four 'Link' chords, all-interval twelve-tone sets containing an all-trichord hexachord.

Secondary chords in Mozart K 475.

Leading-tone seventh chord in baroque composer Élisabeth Jacquet de La Guerre's 1707 Pièces de clavessin, book 2, "Sarabande", mm.21-8 (ending).

Leading-tone seventh chord often serves a dominant function. This example is from Mozart's K. 283 III, mm. 64-69.

45:54:64 = F#+, A+, C = C, Eb, Gb-

5:6:7 = E, G, B7b = C, Eb, G7b.

Dominant sevenths in Chopin's (1810–1849) Mazurka in F minor, op. 68, no. 4, m. 1-4.

Just Intonation Major Chord (4:5:6)

So What chord.

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 07 Prelude No. 4 in C-sharp minor, BWV 849

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 28 Fugue No. 14 in F-sharp minor, BWV 859

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 25 Prelude No. 13 in F-sharp major, BWV 858

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 06 Fugue No. 3 in C-sharp major, BWV 848

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 05 Prelude No. 3 in C-sharp major, BWV 848

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 26 Fugue No. 13 in F-sharp major, BWV 858

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 08 Fugue No. 4 in C-sharp minor, BWV 849

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 26 Fugue No. 13 in F-sharp major, BWV 858

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 05 Prelude No. 3 in C-sharp major, BWV 848

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 25 Prelude No. 13 in F-sharp major, BWV 858

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 35 Prelude No. 18 in G-sharp minor, BWV 863

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 35 Prelude No. 18 in G-sharp minor, BWV 863

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 07 Prelude No. 4 in C-sharp minor, BWV 849

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 27 Prelude No. 14 in F-sharp minor, BWV 859